Skip to main content


En este mundo, entre bombas gigantescas, destrucción errática, buses citadinos regulares, restricciones veneradas, perspectivas inigualables, margaritas delicadas, esporas felices, ocio inexhaustible, economías fluctuantes, matemáticas inmutables, confusiones frívolas, sentimientos bioquímicos, magias intangibles, fervores colectivos, altruismos artificiales, glorias nocivas, pulsaciones ultradimensionales, vastedades desconocidas, sutilezas inefables, temores secretos, gobiernos pendulares, tiempo inexorable, propósitos efímeros, esencias de jojoba, sinfonías simultáneas, silencios apurados, gigantes esferas gráciles, bellezas desintentadas, orificios geográficos, naturalezas regulares, balances invisibles, crecimientos exponenciales, homomorfismos infinitos, paradojas verdaderas, decisiones continuas, restricciones auto-impuestas, estereotipos acertados, suposiciones obsoletas, lógica persistente, logística inevitable, esfuerzos absolutos, menguas constantes, búsquedas ortogonales, éxitos inconsecuentes, legados culturales, lenguajes convergentes, colores incrustados, proporciones auditivas, topologías neurales, jerarquías aceptadas, helicópteros diminutos, chocolates cremosos, ideas olvidadas, cariños inequívocos, abundancia desechada, necesidades ilusorias, amor mítico, conciencia absoluta, gases libres, aire fresco,


Popular posts from this blog

Ashtanga Yoga Sequence

1. Stand, inhale & rise hands, exhale & hands down to chest.
2. 5 consecutive vinyasa sequences, each ending in standing hands to chest.
3. 5 consecutive vinyasa sequences, each ending in chair pose.
4. vinyasa sequence, ending in left/right leg to the front, warrior 1 pose.
5a. stand feet touching, lower, grab toes. go downwards, bend elbows.
5b. stand feet touching, lower, grab bottom of feet. go downwards, bend elbows.
6a. Triangle. right leg to the side, front foot forwards, back foot mostly forward. Extend arms, lower towards front, reaching out and down.
6b. Turn and repeat with other side.
7a. Twisted triangle. Right leg front, same position. Extend arms, front arm to the back, other arm up, then lower body along with arm, inside/outside legs. Other arm extends up, and twist the body in that direction.
7b. Turn and repeat with other side.
8a. Feet as in warrior 2. Front elbow rests on front knee, back arm extends, makes straight line together with back leg. Option to l…

Music Malleates

Piano music feels like water, waving, streaming, and soothing. When soft, it touches and envelops the sensations and the soul. When strong, it shows itself as a wave washing it with a smooth force. A staccato feels like little bursts rising from the surface. A legato feels like ripples upon the surface dancing to their own spirit. In general, piano music slides on the skin and leaves fading traces of resonance where it has touched. It caresses and envelops, it rides the listener in waves.

Violin music feels like a wooden dagger. A single note can already stab the emotions deep. It does not harm; it penetrates. It opens new channels among the unexplored, letting air and sunshine breathe into them. It pierces crusts into the sensitive emotions long ignored and/or forgotten, and helps one feel what is there. Like a toothpick piercing play dough, it finds the colors hidden inside and allows them to be felt by the light surface again. It helps us remember we can reshape ourselves, our int…

Social Friction

At my Adobe internship, my desk is located on the Southeast corner of the third floor, as shown on this floor sketch:
*(which was never drawn)*. During the day, I take occasional journeys to the...
*(5 years later)*...snack bar, where I get coffee, water, and snacks. On my way back, I've found two competing alternative paths. One is composed of four straight segments connected by straight angles, simple and shorter. The other one traverses ~ten smaller such segments, and makes its way through a simple maze of cubicles that one feels is not the shorter path Yet I tend to prefer the second path. Why? Because the first one, on its last segment, walks right past 10 other interns in the same research area as me, and we tend to exchange awkward and forces smiles that I feel I'm pushing through as I walk there. I feel it takes more energy for me to walk that path than to walk a slightly longer distance and turn on my path left and right in an arbitrary sequence.This leads me to state th…